Young Man Jacks Off In Front Of His Old Grandma 15 Minutes Of Fame With ‘We’ve Got A Fuzzbox And We’re Gonna Use It’

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15 Minutes Of Fame With ‘We’ve Got A Fuzzbox And We’re Gonna Use It’

Somewhere in the early Eighties, (no one knows exactly when) four schoolgirls with epilepsy met and decided to do something with their lives in Birmingham instead of managing the checkout in the local Tesco. Sisters Jo and Maggie Dunne (four years old) eagerly learn to play the guitar and bass while Vickie Perks is wide-eyed as the mother-to-be with a microphone in hand and the tiny, blonde Tina O’Neill, already has a pair of sticks. small ones. start preparing for his first lesson. Not coming up with a good idea for a band name, one of them came up with the idea of ​​playing with one of the instruments they were practicing with. A ‘fuzzbox’ to explain it all, is a guitar used to create distorted sounds. It was first used by Jimi Hendrix and was a key ingredient in creating ambient or muffled sounds in rock music. It was and still is some of the instruments that many punk bands used at the time to give the true meaning of punk rock music. So ‘We’ve Got a Fuzzbox and We’re Going to Use It’ was born…

Although they had brightly colored rags and expensive clothes that were more Barbie than typical punk, they were attractive, but old fashioned. Gracing the Indie charts they were as good as they could get in their early days. The cleanest and most well-made of everything besides The Slits, they took their place next to other makeup products, Strawberry Switchblade in search of pouts, powders, ribbons and empty words. Now that they were well prepared and fully trained on their instruments, they were ready to release their first single.

Signing Vindaloo Records (they were the first and only writers who were willing to take a chance on a blind quartet) released the AA side record ‘XX Sex / Rules And Regulations’ in April 1986. It was Toni Basil’s ‘Mickey. ‘ all again. It was sloppy, very feminine and peaked with a lot of bass, and not enough beauty to spoil the shopping record. Their video ad was embarrassingly full of traffic jams and all the awesome footage of Tizer’s brother. The only single, it peaked at number 41 and failed to chart, but did take the No. 1 spot on the Indie chart. With the raucous song ‘There’s got to be more to life…’ it seemed that Fuzzbox would have to pull something better out of the hat if they really wanted to stay away from the food isles. However, it is one of the ways that he gained fame years later, when we sit down and examine the hidden meanings. ‘XX Sex,’ will just go down as an insult song. Their use of screams and loud screams did not land them in the hall of fame of punk, but it seemed that for a short time, they managed to do something, despite their interest in teddy boy retro and ‘Rockin’. ‘It’s Rita.’ In line with ‘where are they now,’ my friends of the same genre, and rich Duane Eddy feel that they have to ride in the Seventies Teddy Boy raver, even though they were all unemployed Dads by now. Again, the timing was bad, and it’s a song we look back fondly on and remember the days of a bloke working at Dodgems in Blackpool…

‘Love Is The Slug,’ was actually their second single and it got rid of all the girls in white dresses dancing around their handbags reluctantly at a cheap disco on a Saturday night (probably in Kidderminster) It was Siouxie Sioux who was pure and carefree, drooling and had no real feelings . However, it was similar to that time. It sounded so worrisome that the band was being held captive while filming. It wasn’t until the sound of ‘What’s the Point,’ that we heard a definite change in the way they presented the music around them. It was released in February 1987, it was the time when the punk icon was emerging and they started to weaken their image without surprising the last remaining consumers. Strangely, but this time, he was making another famous track of ‘The Bangles’, who had a happy time in the middle of the pop charts. Meanwhile, Fuzzbox was climbing the stairs through the Inidie scene. It has nothing to do with all the women that have been established so far. Surprisingly, this rockabilly song failed to do anything more than number 51. Although it was the Indie Queens, it was actually the sales charts that had followed…

They knew by this time that it wasn’t just their own, working-class, troubled music that needed to change. They couldn’t sing about snogging at the disco, having a pint with the boys and doing the laundry again. The green net has to go as well as the leggings and the pink and blue hair.

After struggling with the Vindaloo label, they switched to the UK division of WEA for their next single, and ‘International Rescue’ was released in February 1989 after a two-year hiatus.

It was clear in this way that Fuzzbox had a definite funny side. We all knew about their magic because their movies so far have been touching and tongue in cheek. With this song, we see two of them dressed as Thunderbirds along with the villain played by Adrian Edmundson. It’s all very difficult, but we wonder what’s stronger, the Thunderbirds’ pee or themselves. In any case, the trick had worked, they had reached number 11 and were now on their way to Eighties pop music. He already hosts other programs such as The Tube on CH4 and (who could forget?) The Old Gray Whistle Test! They were about to have their 15 minutes of terrible fame.

It’s still loud, but even though they’re all wearing the same color, they seem to have changed a bit, only agreeing to be rocked on the floor during videos and gigs. They were now grown, handsome and professional, a far cry from their childish heads, ugly but strong. The music was more successful now than Indie. It was edgy, sexy on the legs and beautifully aggressive. The Spice Girls were a group of cabbage kids who were still babies compared to Fuzzbox. These girls really were girl power. Instead of relaxing at night and maybe snog goodnight; Fuzzbox would have bored you and kicked you out after ordering you to serve them breakfast in bed.

‘Pink Sunshine,’ followed and happily charted at number 14 in May 1989. One thing can be said for this group of songwriters, producers and mixologists, they knew exactly how to navigate their market. He does not throw many musicians at once in order to attract the crowd, instead, he sits down and observes carefully, and assigns to others what should be released first. The song, ‘Pink Sunshine,’ was, by their standards, a must-release summer song. A song full of joy and a real summer theme of sunshine and fun, they felt it would have been better if it was released a month or two later. They may have been right, but we will never know.

Perhaps their biggest hit was their last hit, although several followed. A fast-paced, and unconventional song by Brian May from the famous Queen, ‘Self,’ was a Fuzzbox release as the album from which the song originated, is, ‘Big Bang.’ Number 24 in anger in August 1989 was the summer when all the girls learned how to sneer properly. It was mean and brutal. We hated everything that went on while listening to this song. Men trembled in fear at a thousand crying youths with the force of a hundred PMT’s. It was a wake-up call for both the audience and Fuzzbox itself, but anger and discord between the label and the band members meant that any further work would be limited.

The most famous single, ‘Walking On Thin Ice,’ which originally featured Yoko Ono, was released sometime in the 1990s when the group embarked on a tour of the Far East. It was a song of desperation not only in his head but it got worse and worse. The team decided to minimize their losses and continue the journey, even though they knew Vickie was only taking a break for her own use. Something, even today, they are still trying to find.

They returned home, recharged and fairly flat how the group is now iffy direction. Work on a new album was supposed to happen, but the reconciliation between the band and the label was not ideal. From “Out Of This World”, an unfinished album, the last single was released when the band decided to split up. The song titled, ‘Your Loss, My Gain,’ announced the second line of ‘.. It was time to make it all up and follow man’s plans. The Fuzzbox affair came to a tragic end and in fact, all four went their separate ways. Tina is now an Art teacher while sisters Mags and Jo have continued to write for other artists and DJ ing in the underground scene. (They must be steering around on the stairs…)

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Looking back on the band, we wonder if it would have been possible for the band to continue. Leaving the venue on such a high note, it’s always a shame for a band to leave when it looks like they could have said more. We saw Fuzzbox growing up and we grew up with them, from their complex, embarrassing and diverse take on punk (almost an insult to punk musicians) they were, in a nutshell, to make punk what Cheeky Girls were to pop music; very little insults, but they broke up, instead of enjoying it all and became a girl group in the late Eighties, like a few years – hence the idea that they had 15 minutes of fame.

Without the actual notes in their heads, they had learned to play their instruments well considering that they could not play notes at first. They were so bad, that was smart. They looked bad, they couldn’t sing and their arrangements were as professional as the Mini Pops and yet they are still in our heads and the Indie pop world is a dull and boring place without them even today. It’s been 16 years since we reached for the remote to turn up the volume or reached for the kettle in the kitchen. An attempt to return was made once somewhere in 1998, but quickly ended the same year.

It was time to ditch the hairspray and hairspray and get back to listening to ‘Best Of 2006’ instead. Somehow it doesn’t have the same feeling….

Fuzzbox was and always will be;

Vickie Perks – vocals

Tina O’Neill – drums

Jo Dunne – lead guitar

Maggie Dunne – bass guitar

Albums end with elbow ladies;

‘Big Bang,’ 1989

‘BBC Sessions, 2002

‘Look What Hits That!’ 2004

[http://www.fuzzbox.tv].

Vindaloo/WEA notes

©Michelle Hatcher (sam1942 on ciao and dooyoo) 2006

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