Young Black Hirl Looking For A N Old White Man The Theme of Race in Othello: Part II

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The Theme of Race in Othello: Part II

How Competition Works

It is a dialogue that tries to explain what was the main reason for Iago and Othello’s hatred. Was it jealousy or racism? This, of course, can be a matter of opinion and we have arguments on both sides. At this point, it may be appropriate to think about what the audience, four hundred years ago, would do to watch a young, beautiful, white, noble girl fall in love with a black ram. It must have been hard to digest. There was no way that interracial marriage could be accepted by the old mentality. The same goes for the people around Othello in the play. Therefore, this competition can give Iago another reason for his great hatred towards Othello so that he goes so far as to say disgusting words like “your daughter and the Moors now make the beast with two backs” (1.1) in front of the girl’s father. The issue of raising the military only gave the power to bring out the latent hatred. Had it not been there, Iago would have been angry with Othello and his desire to destroy the latter would have been the same.

The Moor: Many Notes

There is, of course, an ongoing debate about Othello’s race but this does not contradict the fact that he is clearly discriminated against by the rest of the people, as is evident from Iago’s hurtful words to Brabantio “you black sheep / and flog your white ewe” (1.1. 87-8). This statement, or Brabantio’s reference to Othello’s “sooty chest” (1.2.2.) shows the feelings associated with Othello’s darkness as he treats cruelty and their intentions. So is Rodrigo’s description of “his lips thick” (1.1.66) which was a racial slur used by European explorers for people south of the Sahara and southern Africa.

Othello himself is shown that he could not resist the idea that ‘black’ implies a bad idea when he refers to Desdemona as being “black and black / as my face” (3.3.390-1) in which he compares being black. lack of character or loss of character. When he says “[his] a good decision was agreed” (2.3.163), his reference to the coal which is black. looking back for a moment as he looks at his “skin whiter than snow” (5.2.3) to show purity. darkness (because God was light” (Maguire, 35). Brabantio is warned by Iago that unless he acts immediately, ” [black] the devil will make a grandson of [him]” (1.1.9) He goes on to say that “his grandchildren will approach” (1.1.7) him. The implication is that black people are small. He insults not only Othello’s race but also his sex. He advises him not to let his daughter be defiled by the sex of a black man like an animal.

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