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Massive Attack’s Angel – Everything You Need to Know About This Song!

First Released On: 20 April 1998

Time: 06:18

Variations/Ingredients:

Blur Remix – A remix created by Damon Albarn and Graham Coxon of Blur, which is far from the usual version, which has confused many fans to its genre (or lack thereof!). This was Damon Albarn’s first remix for another artist to be released. He worked on and remastered Tricky’s music, two years ago, but the two fell out and the material was never released. Included in all releases.

Mad Professor Remix – Mad Professor remixed a Massive Attack song. It was only included on the 12″ vinyl release, then in limited form, until the Singles 90/98 Box Set where this remix was included on the full CD.

Radio Edit – A minimal version of a song to be played on the radio. They cut down the beginning and end of the song a lot. It is included in promotional releases and on the Singles 90/98 Box Set.

Additional information:

Written by Robert Del Naja, Grant Marshall, Andrew Vowles and Horace Hinds

Produced by Robert Del Naja, Grant Marshall, Andrew Vowles and Neil Davidge

For the Collected Music version, the additional costs are:

Mastered by Mike Marsh at Exchange and Tim Young at Metropolis Mastering.

Examples:

Angel uses a sample of the song “Last Bongo In Belgium” by The Incredible Bongo Band. It appears most notably on their 1973 release Bongo Rock. It is not officially recognized by Massive Attack.

Singer(s):

Horace Andy

Song lyrics:

You are my angel

Come from above

To bring me love

His eyes

He is on the dark side

They are neutral

Every honest person

To love you, love you, love you…

You are my angel

To love you, love you, love you…

History:

Originally, Angel was intended to be a very different sounding song, as it was supposed to be a cover of “Straight to Hell” by The Clash which would have included a sample from the Sex Gang Children’s record. For this cover, 3D chose Horace Andy as the best singer but when it came to recording his vocals in London’s Olympic Studios it was a mouthful. Horace Andy, a religious man, did not want to sing the word “hell” in The Clash’s song so at the last minute, Massive Attack were unexpectedly forced to prepare a new song on the spot to accommodate Horace Andy’s refusal. In just four hours, they scrapped the originally planned song, wrote a new song around it, halved the tempo and removed the Sex Gang Children sample. Finally to use as the lyrics for this untitled new song, he took the lyrics from his Horace Andy song, You Are My Angel.

Additional information:

Angel was the third single to be released from Mezzanine

Horace Andy is known as Horace Hinds on Angel because it is a real name with “Andy” being his stage name.

It is probably the most used song by Massive Attack in all the TV and movie soundtracks that have appeared in various movies. See the Videography section for examples of how Angel has been used.

Live Features:

Angelo was first performed at the Olympia in Dublin, Ireland on 15 April 1998. Since then it has become one of the regulars of Massive Attack’s Live Show, never leaving the set list except for the very rare times Horace Andy. they were not available to play live music. On the 1998/1999 tour, Angel served as the opening act most of the time and had a long interlude of nearly two minutes for Horace Andy’s vocals to enter, but on subsequent tours the vocals were shortened to about half a song. minute. On the 2008 tour, Angel was moved to the end of the set, usually the first song of the 3/4 encore.

Comments:

Mushroom on Angel – “I love the simplicity of it. You see, I’ve always loved the early albums and the stuff on them and Angel takes me back to the stuff of Protection and Blue Lines.” [Mezzanine Interview Disc – March 1998]

3D on the meaning of Angel – “Like many songs [on Mezzanine]it’s about relationships: what you expect from a woman is what you get back” [Vox Magazine – May 1998]

3D on the first recording of Angel – “In the space of four hours we stripped all the songs, wrote a lot of stuff around it, kept the old songs, put in new songs for Horaces, took the example of Sex Gang, reduced the tempo and added new words” [Q Magazine – January 1999]

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