Who Is The Old Man In The Dinner Table Painting "Goddess Remembered" – A Film Reflection

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"Goddess Remembered" – A Film Reflection

“The Feminine Goddess Remembered,” Part of the Series, “Women in Spirituality” © 1989,

The National Film Board of Canada

Produced by: Margaret Pettigrew

Directed by: Donna Read

Distributed by: Wellspring Media, Inc.

Wow, their hairstyles and gray sleeves! The 80’s – gotta love them. Look at the 20 year difference in people’s customs. Now, imagine what 2,000 years would mean, and 20,000 years, and further back. This story pays homage to ancient goddess-worshipping religions. With her dinner party look, I expected Judy Chicago to make an appearance. It would have been nice to see every woman – Starhawk, Merlin Stone, Jean Bolen and others – occupying the role of a goddess. Back in 1979, Chicago featured the 39th most famous women’s club in history. By 1989, “The Dinner Party” had been on the rise for a decade. It seems to have left me, although I appreciated the statue of the goddess as a focal point on the table.

The theme of the dinner party “Goddess Remembered” seemed appropriate because it has been the women who grew, gathered, cooked and shared food, especially in conversation. (I don’t see why it couldn’t have been men and women raising livestock.) The viewer could see that all these women are very intelligent “heavyweights” in the goddess stratosphere. And they haven’t visited in the last 20 years.

Jean Shinoda Bolen is a woman who said that when she was giving birth, she felt connected in time to any woman who has ever been, and that “nothing prepared this for me. It hurt!” Bolen is an author, Jungian scholar and critic. She has written many books that feminists will be familiar with, including Crossing to Avalon: A Woman’s Quest for the Sacred Feminine, Goddesses in Everywoman: Powerful Archetypes for Women and A Million Dollars: How to Change Ourselves and the World. Her Million Circle, she explains, is a tool she uses as a “representative of women’s circles that have sacred spaces as a way to reach a critical level to bring women’s wisdom to the world.”

Starhawk is the author of many works that celebrate the goddess community including his latest, The Earth Path, which addresses the root of our destruction of the environment, and tells readers how to reconnect with the Earth. She describes herself as “a global peace, environmental and justice advocate and teacher, permaculture designer and teacher, Pagan and Witch.” Interestingly, he and Donna Read, the director of “Goddess Remembered,” co-produced a documentary about the life of archaeologist Marija Gimbutas, called “Signs Out of Time.”

Merlin Stone, professor of art and history, became interested in archeology while studying ancient art. In 1976 she wrote a book called When God Was A Woman which describes the matriarchal and matrilineal societal structures that were suppressed by Judaism and Christianity. His other book, Ancient Mirrors of Womanhood, (1990) is a collection of stories, legends and prayers about the goddess.

Oh to be a fly on the wall at a meeting of such strong women. I would love to see the name and title of every woman, every time she appears on screen; this would have been a good way for the audience to know who these women are, but the background didn’t come until the end of the movie, which made me really interested.

Women and Olympia Dukakis, the author of the film, discussed many different and interesting things. They said that the snake was a sign of healing and prophecy. They were talking about Melita, the Greek island that is the oldest known site of the goddess culture. The Maltese are now predominantly Catholic.

All of the women seem to share the sentiment of Luisa Teish who said she rejected the idea of ​​the “White Man with a Beard Up High.” He laughed, “I talked to Mary!” After that she said something that is understandable to all women: “I am the parent of tomorrow.”

Crete was named as a place where people studied astronomy, made star maps and kept records. Women can be sailors and charioteers, if they want. The creation of art was highly respected, and in this peaceful society, no evidence was found of gender differences. No personal identification was found on the painting. Minoan Crete is a place where the worship of the goddess was impossible for a very long time.

The Golden Age of Greece was the beginning of the power of men and the end of women. Warrior religions came to the fore at that time, destroying the world and exploiting its resources. Greece once had a beautiful landscape of trees and plants. These were cut down to make ships of war, and when the trees fell; sand takes. The place that was once called Eden is now a dry and desolate land.

The claim that Old Europe was feminine, cooperative and non-violent seems to be a bone of contention (pro-feminist Cynthia Eller, among many others, disputes it).

The following is a recent critique of “The Memory Goddess” that I found on the Internet Movie Database (www.imdb.com):

Unsubstantiated claims abound…, 10 May 2007

Author: thorn101 from United States – (Charles Sheaffer)

This movie is full of flashy nonsense and pseudo-scientific drivel. Various claims are made in the film that have no scientific or archaeological basis, and are just speculation or the result of misconceptions (and wishful thinking).

Claiming to be a (supposedly) pantheistic cult in Old Europe was an established group of women. It was cooperative, non-hierarchical, and non-violent. This is not true, many pre-fortified settlements in Europe have been found in Europe to show the presence of war.

David Anthony, an assistant professor of anthropology at Hartwick College in Oneonta, NY, said that there is also evidence of tools, including some used as symbols of status, and human sacrifices, roles, and social differences. There is also no evidence that women had a major role, either in society or religion in Old Europe.

The graves of Lengyel and Tiszapolgar show that fighting, hunting, and trade were men’s activities, because men were buried with stone tools, weapons, animal bones, and bronze tools. It is possible that pottery was made by women and was mainly used for domestic purposes. This is shown by the pottery that contains the remains of women. Nor are any domesticated or wild animals associated with female burials.

The claim that satellite images have shown that the Neolithic monoliths of the Goddess “all stand on power lines, which pass through the earth” is pseudoscience. There are no such things as “power lines” that run through the earth. Also scholars now dispute the identification of the neolithic megaliths with any worship of the so-called “Goddess”.

There are many unsubstantiated claims in the film.

Overall, this is a great watch to watch at an all-girls night out while honoring your inner goddess with lots of chocolate. The truth is that this mockumentary has no place in women’s studies, anthropology or archaeology, and I am surprised to see that it is being taken so seriously.

Fun, eh? It reminds us of Shakespeare’s old saying, “Man criticizes too much.” I know neither he nor I lived 20,000 years ago, so I believe his argument is moot.

I would say that the main theme of “Goddess Remembered” is how women and nature are one. “As species, we do not stand apart from nature,” is what Charlene Spretnak said, and I believe she is right. It comes down to this equation:

Women = Nature (represented by caves, snakes, water, etc.)

Husband vs. Nature (which confuses Man and Woman)

Until Man honors and respects Nature and thus, Woman, our descent into oblivion through war and the destruction of the Earth, will take us all to the rapid and vengeful river together. And that would certainly be the end of His- and His story.

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