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Reviewing Classic Teen Literature – The Westing Game, A Wrinkle in Time, & Something Wicked This Way
Traditionally, youth lighting includes topics such as self-development and self-acceptance. Recently, however, we’ve seen a huge increase in the themes of immortalizing your family, changing your personality beyond recognition, and consuming human blood to feed the fetus that your husband will have to remove from your womb. uterus. (No, we are not making this up). For those of us who miss the good old days when teenage reading made you feel better about life (as opposed to the lack of a long period), it might be a good investment to pick up the following articles.
While there are many ways that Ray Bradbury can make us feel comfortable, his 1962 novel, Something Bad Here Comes has a positive message at its core. Down with all the carnies and funhouses, that is. The story follows two thirteen-year-olds named Will and Jim, whose adventure brings them into contact with an evil witch, a sorceress, and a boy who has painted all of their faces on his hands. (Obviously, this was before the camera phone.)
For whatever reason, Jim is drawn to all things dangerous, scary, or both, and he wants to ride a horse that will instantly transform him into a big man a la Tom Hanks in Big. Will, on the other hand, is happy to be thirteen and has no desire to grow up by unnatural means. (Obviously, this was before VH1.) With the help of Will’s dad, the two learn to kill evil by smiling — literally — and laughing in the face of insecurity, even when that face is yours. Only Ray Bradbury could pull off something like that while scaring you.
Published in the same year, Madeline L’Engle’s A Wrinkle in Time is the same book that reads like something out of a David Bowie acid flashback. Our young hero is Meg Murray, a self-proclaimed, selfless person whose face has been damaged by – get this – string. (Okay, so the standards were different in 1962.) Also interesting is that they travel to a planet called Camazotz with the help of four exploded stars and a time/space bending device called a tesserract. Yes, we’ve all been there.
Through her travels, Meg learns to let go of her helping hands (literally – she was fixated on things), she sees her “mistakes” as things that “could be more useful,” and eventually she flies off on her own to solve her problems. . The story culminates with Meg defeating a giant, brain-shattering monster through the power of love. If that’s not symbolic…well, we’re kind of hoping the whole thing is symbolic.
Sixteen years later, Ellen Raskin published The Westing Game, challenging the prevailing notion at the time that young people could not follow complex stories and plots. (Apparently, the publishers didn’t know Tolkien.) Its heroine is Tabitha-Ruth Alice “Turtle” Wexler, a thirteen-year-old trapped in the shadow of her beautiful sister but highly respected for being called a creep. Turtle and his family are involved in a massive inheritance show that puts the entire public house up for grabs for $200 million worth of property.
Among the endless letters, unexpected explosions, unknown instructions, and false tactics, the Tortoise shows business acumen, good heart, and independent thinking; he invests his “incentive” money to gain independent of the proverb, trying to fall on the sword because of his sister’s crazy bomb, and solve the puzzle even if the game is over and the prize is taken away. Befriending and entertaining the benefactor, the Tortoise goes on to prove that you don’t have to be a handsome young man to inherit a multimillionaire’s fortune.
Growing up is more difficult since there is no television and magazines telling kids to rush out and buy big things. Of course, literature is subject to market trends as much as anything else, but until books start selling advertising space between titles, we like to think of them as a refuge for ideas. And if books about dark magic games, interplanetary time warps, and pyrotechnic treasure hunts can show the right young people, any story that doesn’t try hard enough.
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