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The Art of Defence
Defence is an art that the best coaches in the world consider more important than any other aspect of the game. Covering positions, making timely tackles and even springing the offside trap well is key to stopping teams from scoring. After all, what good is a team that can’t defend a 2 or 3 goal lead even.
It was the Italians who decided to take it upon themselves to make defence an art-form, moving away from the physical aspect of defending and bringing in technical prowess. Until the Italians brought finesse into the picture, defending was all about out-muscling the opposition and crunching tackles.
It was the capability to constrict space and restrict movement that led to the rise of the Catenaccio style of play.
Not many may remember his name but Helenio Herrera was a French-Argentine player and, later, manager who was one of the biggest names in football coaching during the mid-20th century. Having played for teams like RC Casablanca and Stade Francais, Herrera retired from club football in 1945.
Herrera took up coaching and moved to Spain, where he became the team manager for Real Valladolid, Atletico Madrid, CD Malaga and even the likes of FC Barcelona. It was after his stint for Barcelona, in 1960, that Herrera moved to Inter Milan.
THE RISE OF THE CATENACCIO
It was during his stay at Inter Milan that Herrera decided to modify the way his team defended. He shifted to a 5-3-2 formation to improve his counter attacking style of play. A firm believer in hard work and strong work ethics, Herrera was known as the pioneer of psychological motivational techniques including team pep-talks.
Herrera also introduced the no-smoking & -drinking policy as well as controlling the diet of his players to make them true professionals. Herrera was also known to suspend a player for telling the media, during a press conference, “We came to play in Rome” instead of “We came to win in Rome”.
A hard man, Herrera was slightly defensive in his playing style although his form of the Catenaccio was not as defensive as some the future mutations of the formation, when applied by Italian architects.
One of Herrera’s full-backs, the great Giacinto Facchetti, was testimony to the attacking style of Herrera’s Catenaccio that prevailed in that Inter Milan team. The team was built around the defence, with its main role being to absorb the pressure from the opposition before launching lightning-quick counter attacks.
Using his wing backs to overlap the midfield, Herrera completely transformed the way the world looked at attacking football. Not giving away too much at the back, the team became famous for squeezing out 1-0 wins, leading to the nickname Verrou, meaning “Door Bolt”.
Known as “Herrera’s Inter”, the team would go on to win the 1963, 65 & 66 league titles, the 1964 & 65 European Champions Cup as well as the Intercontinental cup in both those seasons. Herrera also became the first coach to go on and coach three separate national teams, ending his career with a 48.57% winning record.
In his 908 games as a manager, which included teams like Inter Milan, AS Roma, Barcelona, Atletico Madrid and CF Os Belenenses, Herrera lost just 241 games while drawing 226. In his 12-club coaching career, Herrera ended with a negative goal difference only three times – with Real Valladolid (-21), AS Roma (-1) and Rimini (-22). Each team was too weak at the time although Herrera did transform Roma into a championship winning team, getting the 1969 Italian Cup with a sub-standard line-up and his famous Catenaccio style of football.
THE “DOOR BOLT”
Unlike popular conception, the Catenaccio was not built to shut out opposition. The entire concept of play was to allow the opposition to attack, relentlessly even, before suddenly attacking on the counter. The team would play with five at the back, in a “V-shaped” formation, with the Libero or sweeper at the centre. As the opponents entered the “V”, their attack would be narrowed down, restricting movement and space.
Once the ball changed possession, the defending team had a wingback on either side, already ahead of the advancing opposition’s midfield. That meant that the team could now push out, rapidly, by playing the ball out to these wingbacks, who would have loads of space to exploit.
While the Catenaccio was, itself, a mutation of the 5-4-1 system invented by Karl Rappan for the Swiss national team, the formation underwent a lot of transformation itself. Teams reverted to the original “Rappan-style” by playing the sweeper just in front of the goalkeeper and stationing a flat back-four in front.
Nereo Rocco, coach of Calcio Padova in the 1950s, was another who exploited the system. With three-flat defenders who man-marked the opposition, Rocco would play a playmaker in the middle, just ahead of the defence, alongside two wingers. While these three weren’t the actual midfield, Rocco’s style would use the sweeper behind the central defence as well, to double-team the stronger players.
The midfield would be in front of these three, with a solitary striker up front, leading to a 1-3-3-3 formation.
While Herrera also focussed on man-marking with four of his defenders, his defence was flexible in that it swung from right or left to make it a flat line on most times. This meant that four defenders, aid by the midfield, would effectively man-mark the opposition, which had already been herded through the middle. That left the remaining fifth defender – always a wingback, free to make runs on the counter.
Catenaccio had become the flavour of the month, in the 60s and 70s, catching the fancy of every coach on the world scene. However, it was one man who’s style of play brought Catenaccio to its knees – Rinus Michels.
When faced with the tight man-marking of the Catenaccio, Michels decided to remove the whole concept of playing footballers in fixed positions. He removed the boundaries that separated attackers, midfielders and defenders, teaching all his players to play in all positions. As attackers fell back to the midfield, or even defence, their man-markers were unable to leave their posts and follow in pursuit.
The fact that Michels had the crop of players that he did, to implement such a technique, was the only reason Total Football became a reality.
Catenaccio was no longer the primary choice anywhere as Total Football, or replicas of it, began dismantling defences with their speed and movement. Mediocre coaches, who followed rather than researched, were left with no choice but to fall to the wayside.
Coaches who preached the Herrera principle looked to counter Total Football with a modification to the Catenaccio’s man-marking formula. The answer was quite simple, in theory – Zona Mista.
The Zona Mista was a concept that incorporated man-marking and zone-marking into one strong defensive strategy. While the concept still used the four man defence with the roaming sweeper, the difference was in the way the midfield and the fullbacks supported the defence.
The two central defenders, in the heart of the defence, would play zone-marking. The midfield would have a defensive midfielder, who was required to help out the defence by falling back. A central midfielder would play in front of the defensive midfielder while a winger (usually on the right flank), would support in attack.
Two strikers would play up front, one on the wide left, with one in the centre. The position of the wide striker was determined by the position of the winger – both being on opposite flanks. The winger would act as an additional striker while the wide striker would float in to make it a two-pronged attack.
When defending, the wide striker would come in to cover for the central midfielder as the latter would drop into a defensive position.
ZONA MISTA IN REAL LIFE
Italy – 1982
The most famous application of this formation was in the 1982 FIFA World Cup when Italy went into the tournament with this brand new style of football. Gaetano Scirea played the role of the sweeper to perfection while the attacking left back was a young 18-year old, who would later go on to become one of the greatest defenders of all time – Giuseppe Bergomi.
Gabriele Oriali played as the defensive midfielder, just in front of Fulvio Collovati and the man who stopped a young Diego Maradona – Claudio Gentile. Marco Tardelli played as the central midfielder while Bruno Conti was the creative genius behind Italy’s Zona Mista success.
While Antonio Cabrini played at the front wide position, it was Paolo Rossi who came into the main striker’s position.
Italy’s success led to an increased use of the Zona Mista although the application remained mostly in the Italian leagues. Teams, in Europe, found it hard to beat this fantastic combination of man- and zone-marking, keeping the Italians ahead of the rest. However, there was always the need of a great striker to take care of the few chances that this format would create – something that most teams lacked.
Italy – 1998, 2000, 2002 and 2004
More recently, Cesare Maldini employed the Catenaccio form of play in Italy’s 1998 FIFA World Cup campaign. Needless to say, Italy played defensively, without creating too many waves, eventually getting kicked out in the Round of 16, through penalties. His successor, Giovanni Trapattoni, also employed the same tactics in the 2002 FIFA World Cup as well as in the 2004 European Championships.
In both cases, Italy failed to make any significant progress although Trapattoni would go on to prove his critics wrong by leading Portuguese side, Benfica to the league title.
Dino Zoff, whose team successfully used the Zona Mista in 1982, was the Italian coach in Euro 2000 when Italy went in with the same tactics. This time, Zoff managed to take the team to the finals of the tournament, losing to France through a Golden Goal.
Greece – 2004
Greece used the same format under Otto Rehhagel, at the 2004 European Championships, and successfully so. Greece won the title with numerous 1-0 wins through the knockout stages, all thanks to a heavily defensive style of play.
The Catenaccio was often on the receiving end of criticism from the rest of Europe primarily due to the boring style of football that it promoted. The Italians were said to have made the game “unattractive” however practitioners of this form of football always had results to further their faith in the system.
In most cases, the reason behind the criticism was said to be the inability of most teams to break down such defences, especially in crucial European ties, leading to a loss or a draw that they could ill-afford.
THE MODERN DAY SCENARIO
Catenaccio is a dormant formation today. With both man-marking and the sweeper position going out of style, what with the faster pace and television coming into the picture, teams are rarely known to implement such a format today.
You may see the odd variation of this formation when weaker teams go up against stronger opposition however the success of the Catenaccio or the Zona Mista is largely dependent on the quality of the defenders and the wingbacks.
The more physical format of the Catenaccio finds few followers even in the technical format of the Italian league while other formations, such as the 4-1-2-1-2 (midfield diamond) and even the 4-3-2-1 (Christmas tree) formations can be attributed, albeit loosely, to the Catenaccio.
Teams that go down a man or more, are also known to exhibit similar playing patterns although the true form of Catenaccio remains buried under a pile of demands for attacking play.
MISUSE OF THE TERM
In today’s scenario, you often find commentators, even some pundits, refer to the Italian game as the Catenaccio style of football. The latest example was the game between Barcelona and Inter Milan, at Camp Nou, during the second leg of the 2009-10 UEFA Champions League semi-finals.
Unfortunately, Jose Mourinho’s tactics were nothing like the Catenaccio style, albeit defensive. Down to ten men, Inter simply held a lower midfield to aid their defence, nothing more. They did was what needed and even Barcelona, with all their firepower, couldn’t break through. It has to be said that while Mourinho knew exactly what he was doing, there was absolutely no connection with the Catenaccio style of defence.
Commentators, especially Englishman, are known to refer to the Italian defensive style of football as Catenaccio, irrespective of whether the team follows the format or not. Catenaccio has become synonymous with defensive play although few understand the true meaning of the term, sadly, even the pundits make mistakes.
At the 2006 FIFA World Cup, Italy were down to 10-men while playing Australia in the Round of 16. They defended heavily until a winner came in the form of a Francesco Totti penalty, late in the game. An English newspaper, “The Guardian”, famously wrote, “The timidity of Italy’s approach had made it seem that Helenio Herrera, the high priest of Catenaccio, had taken possession of the soul of Marcello Lippi.”
What the reporter failed to notice was that 10-men Italy were playing in a 4-3-2 formation which was just a man short of the regular 4-4-2 that they had started with – Daniele De Rossi, the midfielder who was dismissed.
THE FINAL WORD
Like all good things, Catenaccio also had to come to an end. With its end, like with everything else, rose many new formats that are, till date, being practiced by coaches around the world. While the Catenaccio may have been laid to rest with the modern day television’s demand for exciting football, coaches will always fall back to their learning of this system when struggling with their backs against the wall.
Until the next time a British commentator mentions “Catenaccio” in the wrong place, Happy Defending!!!
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