The Old Man And The Sea Summary Characters And Themes The Queen’s Rune and Other Tales of the Sidhe by Shannon Avery

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The Queen’s Rune and Other Tales of the Sidhe by Shannon Avery

About eight years ago, I wrote about the abandonment of humanity by our gods. Thanks to author and researcher Shannon Avery, it seems we have a chance at redemption.

Redemption is a recurring theme in Avery’s new book of poems and stories: The Queen’s Rune and Other Stories of the Sidhe. Sidhedom’s “Dirty Little Secret” is explained throughout the book and readers who take the time to examine Avery’s skillful interpretation of Sidhe language and culture into a human-friendly form can just paint the picture. But even for the Uninitiated, Avery does an amazing job of researching language and culture, not to mention high-wire writing, as he tracks down Fair Folk, balancing oral analysis with a wealth of images.

For those of you new to the world of the Sidhe, They are human beings that share our Universe and our planet, removed from humanity only in our limited ability to perceive them. Their culture is several thousand years older than ours and Avery cleverly deals with half a million years of history with knowledge that could only come from a deep commitment to honoring the subject. His translation of Ann Amrahn Atraighn, for example, captures the coldness, arrogance of the world of Our Sisters, The El’Ohim, as they try to instruct their “puerile brothers” in the mysteries of Nature and the people who – like the betrayal and sadness the teachers feel when their attempts go wrong very much. Avery’s translation feels like the only redemption after Hammond Cole’s 1649 abomination, not to mention the abomination that the Rubens perpetrated on the world in their fraudulent and error-filled Genesis chapter of the Torah.

Redemption flows through the “love” poems of the Sidhe; Avery’s poetic language—immediately simple; conveying to the human reader the depth of the Sidhe’s passion and the great conflicts throughout Sidhedom. Like Perceval in the Fisher King, Avery’s Sidhe lovers—Amfortas and Eriu; Rhiannon and Pwyll-kneel in the Temple of Sound and ask “Who does the Grail serve?” In the Lay of Amfortas, the title character sings: When my body and my harp are ashes / your fierce anger has revealed / and I do not regret it. A true appreciation of the torture of Amfortas and Eriu is still not possible for people, but Avery’s speech leads to a song that makes itself our least flesh.

Helping Avery weave her web are photographer Danae Bentley and actress Lea Ann Douglas.

Bentley’s images range from vivid to abstract to intricately detailed and mathematically sophisticated. His realistic, but horrifying, depictions of some of the events of the Kambuzi Massacre left the reader feeling incredibly dirty as if he had accidentally looked at a child while changing clothes. And the image of that story—the illustrations and the text together—brings back terrible memories from my younger days as a soldier and student in war-torn Europe: “They are our enemies. They are not us. Their blood is not ours. The blood is the river.” . This river will pass through Benue state to the sea. Benue will be clean.”

Lea Ann Douglas is Avery’s guardian and is also a devotee of Sidhe culture. They combine Avery’s research with performance and historical writing to create the latest Sidhe theater.

Perhaps the only downside of The Queen’s Rune is that, in its emphasis on the ancient nature of the Sidhe, it fails to weather the current storm of Sidhe-Human relations. Avery’s voice evokes the nature of the Sidhe—their complexity, their passion, their sacrifice, their pain, their playfulness—but glosses over other disturbing aspects of Sidhedom. In particular, Avery leaves out the meaning of the killing of the Turtle. This book, for all its success in creating a bridge of understanding between these two species, fails to warn people about our dangerous “close relatives” and what is at stake if we fail to heed their message. Avery’s Ann Amrahn Atraighn concludes with Faithful Seth Levian going “in search of human redemption” but neglects to point out that the sands of time have flown quickly in the last 5769 years and that our hour is running out.

In short, this list of Sidhe art, writing and writing is highly recommended. These poems and stories will entertain, engage with magic and, for the reader with Hearing Ears, compel us, in the words of Brother WB Yeats, to “Go away, son of man!/ To the water and the wild /And a faery, hand in hand/ For the world is full and cry more than you can understand.”

Published by Vulgar Marsala Press, July 2009

133 pages

ISBN: 978-0982007723

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