The Old Man And Death Portrays An Emotional Symbolic Image A Modern Yet Classic Surrealist Artist – The Value Of Anna Chromy

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A Modern Yet Classic Surrealist Artist – The Value Of Anna Chromy

Anna Chromy was born in Bohemia and studied in Paris, France at the Academie de la Grande Chaumiere under Maurice Mejaz, former director of the Academie of Beaux-Arts in Caracas. He has exhibited in the Venice Biennale as well as many art houses in Europe, such as the Salon du Printemps in Paris and the Syra Gallery in Barcelona.

Chromy talks about his skills:

“I really enjoy the high style of my country, which I try to express in poetry and express reality in my paintings. I choose subjects of living things, including animals, instead of inanimate or abstract objects that are often focused on. .to increase our latent suspicion and curiosity.

His drawing ‘Confusion’ they show the beliefs of the artist with his baroque style mixed with the help of the ugly figures of bodies enjoying love and dancing. The alluring quality of the work is reflected in the still images that are, at the same time, real and imaginary. The actions of the lovers give way to a sense of how they work in a marriage that is both cerebral and human. Their dance turns into a four-body dance instead of a pas-de-deux. Surrounding these figures, Chromy created a womb-like structure that incorporates these forms into a textual life of light and shadow.

Chromy’s art explores emotions from natural beauty and compassion to the deepest depths of our conscious spirit. ‘To Be or Not to Be’ it is a journey through the very depths of our anxieties and dreams of death. A blank image of a woman lies around the picture, her face turned away from us. Near him is a man wearing heavy robes, sitting down in meditation, whose face is not dark. He feels simultaneously present and missing, watching over a woman’s destiny but out of reach. Behind him walk the walls of houses, religious in his eyes. Thanks to the unique Chromy properties of the new paint on the canvas, it is possible to find facial expressions and floating objects on each part of the painting; These types of vision can be interpreted by the audience in its own unique way. He has transcended the carnal and the fearful, the known and the unknown, to the point where he has created calmness and stillness over the entire subject and its meaning.

His artistic difficulties, however, will not dictate; it flatters but doesn’t cover you. Styles are given careful interpretation of the danger. The artist does not convey meaning to the viewer; or he allows us to come into the joy of his creations and thoughts and make that world our own. Chromy imbues inanimate objects with life and movement and the creatures often seem to take on a human perspective, as do the horses that roam freely throughout his paintings – both functional and dynamic.

‘Paris on Stage’ it forces us to embark on a symbolic journey through all of our knowledge. Its eerie, dreamlike quality is further enhanced by its method of adding image to image. The body of the girl who dominates the left side of the canvas seems to be full of life but strangely depicted, like a Greco Roman sculpture. From behind him runs a riderless horse, similar to Magritte’s ‘Lost Jockey’ in its dream-like joumey. Below is the city of Paris, which looks like an old house of the gods, while in front a vague image floats like the fluid thoughts and dreams of conscience.

In all of Chromy’s writings familiar themes such as fatherhood and womanhood, pregnancy and death are intertwined, yet he portrays his characters in unusual and subtle ways.

Chromy says:

“Festivals are like dreams, experiences of complete liberation. Being incognito represents for me a creative activity that allows me to leave another place, change place and time. And be like our feelings without revealing ourselves to others.”

Anna Chromy does not make complex drawings in her paintings. They come immediately from the spiritual honesty of his art. The process has a crisp, green beauty that cannot be achieved by polishing and refinishing a piece.

Chromy’s view of his art is similar to that of other visionaries or surrealists in his desire to share with the viewer his different world. “Each person should analyze my pictures as they affect his inner thoughts without trying to study me through my pictures. Seeing brings out the inner voice which the awakening of consciousness distinguishes man from other creatures.”

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