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The Great Gatsby – Is Nick Carraway Gay?
In The Great Gatsby Scott Fitzgerald presents an exploration of wealth and desire through the prism of a tragic society in which one can find no redeeming virtues.
What The Great Gatsby portrays is a sordid story of a small group of weak people who engage in fraud, adultery, fraud, and debauchery. The lavish parties – Jazz style- that Jay Gatsby throws to heal Daisy Buchanan (his lost fantasy and cheating lover) are all wild bacchanalians.
When one thinks about the rest of the country, we can breathe a sigh of relief to see that the rest of America is doing productive work, rebuilding the country after the economic devastation that was the First World War. The ugliness of the story applies, almost entirely, to a small group of left-behind, misguided, and evil people. It is not a book about the spiritual decay of America (as many interpret this book to be) that came in 1927 and the Great Depression.
While in Ernest Hemingway’s short story “The Killers” we meet the clear voice of the disinterested narrator, in The Great Gatsby we are deceived by the constant bias of Nick Carraway, a lovable character – and narrator – who is not interested. a story to tell, and it has an agenda. The goal is a laundry list of “cleansing,” events to be resolved, and a conscience to cleanse itself. Much like Confessions by Augustine, Rousseau, and Ben Franklin, Nick magnifies other people’s faults and mistakes while hiding and minimizing his own.
From the beginning of the story, Nick Carraway makes it clear that the story he wants to tell is a personal story, and that he will be the protagonist. So, with these words: “In my young and most vulnerable years…” he begins to tell the story of himself and of young people who are growing up, people who are currently in the middle of finding themselves, searching. goals and a definite future. It’s a classic story of the ambitious Dough Boys returning from a world war – competing for status under the sun, fighting for a place not in poverty or depression, but to share the glory in wealth and love. .
Although Nick makes a calculated decision to come east to work on Wall Street, his heart makes him change; his heart is in books, and he tells us what his goals are: “I was a writer in college—one year I wrote a list of clear and well-written articles for the Yale News—and now I’m bringing all those things back into my life and becoming the least professional of all.” , ‘a well-rounded man.'” (GG, 4).
After attending Yale University, he is qualified to call himself a ‘well-rounded person’ who has the skills, education, and skills to become a writer, a writer.
When he begins the story, he is pleased with the author’s pleasure even knowing the title of his book: “Only Gatsby, the person who gives his name to this book, did not agree with what I did.” (GG, 2). They also work in moments of meta-narration. When in the second book of Don Quixote the hero learns that he is the subject of a fake story and a fake writer, we can enjoy the fun of meta fiction. Nick Carraway also explains himself slowly as we read that he is reviewing his work as he progresses and writes:
“When I read what I have written so far, I see that I have given the impression that the events of three nights a few weeks apart were all that affected me. On the contrary, they were common occurrences in a crowded summer, and, until often after that, they took me away. “slow compared to my experience.” (GG, 56).
It was indeed a common occurrence, yet closely connected with his life. Although Nick presents Gastby’s life as a main thread, his life experiences are woven into the story.
While Meursault-Camus’ ambiguous-man narrator A stranger he chooses clear, expressive words to express his isolation from the world, Nick Carraway chooses lyrical and often sarcastic language to embellish the grim world of America’s little tragedy.
Nick takes certificates and false reports, the narrator’s sin that threatens his credibility. The irony is that in the end, Nick does not blame his cousin Daisy, even though he knows that Daisy drove that night, and that Daisy killed Myrtle Wilson (Tom’s mistress). Was this really an accident? Or did Daisy run into Mrs. Wilson on purpose? We can just go with Gatsby’s recollection of the accident as he describes it to Nick.
Daisy was driving and as she was passing a car was coming the other way. The next thing is that Daisy starts to try to avoid hitting Myrtle, but it is possible that when she realizes Myrtle changes her mind and runs after her. After all, Myrtle Wilson has been a thorn in her side all summer, causing her a lot of pain, anxiety, and depression.
Although Nick tells us that there was an investigation, he stops short of telling us that he did not testify, even though his true testimony would have involved his cousin Daisy. Nick then takes part in the cover of the terrorist attack. Furthermore, on the night of the accident when Nick plays Tom peeping, he sees Daisy and Tom in a tête-à-tête group:
“They were not happy, and not one of them touched the chicken or the ale—yet they were not happy. There was a familiar air of intimacy in the picture, and everyone would have said that they were preparing each other together. .” (GG, 145).
In Garcia Marquez’s book One hundred years of solitude, when Remedios Beauty ascends to heaven, the reader accepts this fact because the woman in her simple mind does not see that her beauty hurts people; or kill them. But when Nick Carraway paints Daisy as a Southern belle full of charm and innocence, he writes a dissonant tone, because his actions belie it.
Nick Gay or Bisexual? Nick has a problem with his nose and we see this at the bottom of the story, and the only way to stop the habit is to “break” it violently like Tom Buchanan does when he breaks his master’s nose. In addition, Daisy compares Nick to a rose: “Nick, you remind me of a rose, an absolute rose.” Does she mean that Nick is gay at heart? Well, Nick doesn’t go after Jordan with a man’s hot energy. And there is a scene where a man takes off his clothes.
At a meeting in New York, Nick meets Mr. McKee, a photographer: “Mr. McKee was a pale, feminine man from the bottom of the house. 30). Later McKee takes Nick to his apartment where he sleeps. Later Nick remembers: “I stood aside on his bed and he sat between the blankets, wearing his underwear.
To confirm McKee’s homosexuality and to imply Nick, we see a phallic image as the raised boy warns “hands on the lever.” To which McKee replies “I beg your pardon… I didn’t know I was touching.” Was McKee touching the lever or the elevator boy? At the beginning of the twentieth century, American literature had some contradictions that the writer could reach and conquer when the Jew conquered Jericho-round and round with noise. Sounds like carefully chosen words and phallic images.
Can anyone imagine a gay man looking at another man?
“Mr. McKee was asleep in the chair with his fists on his chest, like the picture of a man in action. Taking out my handkerchief I wiped from his cheeks the remains of the dry lather that had worried me all afternoon. .” (page 36)
Nick Carraway, the narrator, does not admit to being a pimp. Nick is renting his West Egg house with a man, “when a young man from the office told us to take a house in the next town, it sounded like a good idea. one month, but at the last minute the company ordered him to go to Washington, and I went to the country alone. (p3).
If Nick is not gay, then he has two men: “I had a short relationship with a girl who lived in Jersey City and worked in the accounting department, but her brother started looking at me badly, then he went on his vacation. In July I let it go quietly.” (p56).
And while walking in the center of Manhattan, he thinks: “I used to go up Fifth Street and pick out women in love among people and think that in a few minutes I will enter their lives, and no one will know or Sometimes, in my mind, I follow them in ‘their rooms at the corner of hidden streets, and they turned and smiled at me before walking out the door into the warm darkness.’ (p56).
Note Nick’s self-examination with the despairing thoughts of old girls, spinsters, and old bachelors: “I was thirty years old. Before me stretched the terrible, terrible road of the new decade (p135). A bachelor at this point in his life, Nick contemplates life—perhaps a single life: “Thirty is the promise of ten years of loneliness, a short list of single men to get to know, a small bag of fast, thin hair.” ( p135).These are touching words that confirm his loneliness and how he can comfort himself in his childhood.
Nick Carraway portrays himself as a simple, carefree, and lovable person, who enjoys gaining the trust of friends and strangers. However, there is nothing simple about him. As his story progresses and we get to know him better, we see that he is a complex person with many sides.
Although many aspects of his personality are interesting, the reader cannot help but be attracted by the moral corruption of his judgments. On the surface, Nick presents himself as the voice of moderation, reason, and virtue, but when we examine his depth we find many types of emotions, desires, passions, and irrationality that are associated with an unstable, sexually disturbed life, as he himself admits: “Ethics can be based on on hard rock or wet water, but after a certain point I don’t care what’s set.” (GG, 2).
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