The End Of All Things Novel Old Man S War The Most Shocking Ending in All of Literature

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The Most Shocking Ending in All of Literature

“How strange it is that a man can find himself at thirty-eight! His youth is so old. So he insists on thinking that there is nothing more than a thin barrier that separates him from his childhood.

Three times nominated for the Nobel Prize in Literature, Yukio Mishima is considered to be the most important Japanese novelist of the twentieth century, and until recently Murakami Haruki and Yoshimoto Banana were the most popular writers and readers outside of Japan.

Very rich despite his short life, he produced forty books, at least twenty books of stories, poems, eighteen plays – including modern Kabuki and Noh plays, some of which he participated in, and one libretto. He was a brilliant critic – a talent that some considered superior to his fiction, and appeared in four films as an actor of some skill – one of which he directed and produced. Mishima was considered the only writer of his time who had the skill to write Kabuki plays in the traditional sense; a professor at Kyoto University described him as a man of “terrible talent.”

Born Kimitaké Hiraoka, he was taken from his parents and raised by his grandmother, who is the only one in the Samurai family, who encouraged his grandson to love books, and according to historians, illness and mental illness. Many trace his writings and later actions to these difficult beginnings.

At the age of sixteen he took the pseudonym Yukio Mishima, a move that was described as hiding his writings from a hostile father and concealing his true age. Yukio comes from the word yuki, which means snow, and Mishima is a town famous for the snow-capped peaks of Mount Fuji.

Mishima avoided conscription during World War II after being diagnosed with pleurisy. While a law student at Tokyo Imperial University he published his first collection of short stories, and the following year in 1944 he published his first major work, The Forest In Full Bloom, a great achievement for any Japanese writer when few books were being published during the war. The first edition of 4000 copies sold out within a week.

All his books contain paradoxes: beauty contrasted with violence and death; the desire for love and its rejection when it is offered; the contrast between Japanese tradition and the spiritual barrenness of modern life; paradoxes that he himself had – his writings were always semi-autobiographical, sometimes fully so.

Mishima’s best-known works are autobiographical Acceptance of the Mask, Temple of the Golden Pavilion and tetralogy The Fertile Seaconsidered by many to be his lasting achievement—he sent the final volume to his publisher on the day he committed suicide.

At the end of the The Decay of an Angelthe last volume of The Fertile Sea, Mishima turned the entire series upside down, a single, blinding burst of prose undermining the very foundation of everything that had gone before, a dramatic twist that the author pulled off so wonderfully. Some scholars argue that committing seppuku immediately after writing such a passage makes sense—how can one continue to live after writing something so brilliant?

The end of the The Decay of an Angel it has been called perhaps the scariest ending in all of literature; it was followed by one of the most surprising endings in real life—a writer who never wanted to age or decline fell to his knees at the top of his game, aged 45; Following a well-planned but sure-fire plan to restore the cultural values ​​of the Japanese people he left behind, he ritually committed suicide on 25 November 1970.

“The whole of Japan was cursed. Everyone ran after money. The old spiritual tradition had disappeared: materialism was the norm today. Modern Japan is disgusting.”

Toshiro Mayuzumi, Mishima’s close friend for twenty years, explained: “He was a man of action. Constitution, Defense Forces, education, moral decay. “

Friend, long-time follower and fellow novelist Yasunari Kawabata honored Mishima with the title “author of [Mishima’s] caliber is only available once every 200 to 300 years.” Surprisingly, Kawabata had won the Nobel Prize for Literature two years earlier in 1968, the first Japanese to receive the long-awaited prize for Mishima.

His funeral was attended by 10,000 people, the largest ever held in Japan, and his comment about Hagakure– moral code taught to samurai – immediately became a bestseller.

Mishima wrote in his diary “All I desire is beauty.” A dedicated bodybuilder, karate expert and kendo master, he worked his whole life to make himself more beautiful, and stronger. He saw beauty as a form of purity that could also be realized through good deeds, and death.

If we value life, how can we not value death?

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