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So You Want To Be A Movie Critic?
So you want to become a movie critic and get paid to watch movies, eat popcorn, and think as much as you want? You may be interested to know that it may require developing your work skills by working two or more jobs (they don’t pay well) and developing your skin against the merciless criticism of others. However, you can’t win a job that requires being in the same room as Angelina Jolie or John Cusack, and then talking to them.
The main assumption that many aspiring film critics make is that no formal education is necessary. All you need is an idea and the ability to explain. This also helps to increase his interest.
The idea rang true for Dan Kimmel who started life as a law student and then went into writing and reviewing movies. Today he is a prolific writer for various print media, but still finds it necessary to supplement his income by teaching and public speaking. This proves that while the pen is mightier than the sword, it pales in comparison to the check.
His fellow critic, John Black, followed a journalistic path to his career as The Metro’s “Movie Guy”. Black started out on a small weekly paper and had to work his way up to become a paid movie star. He also complains about the lack of pay, however, saying that most freelancers (and most freelance film critics) earn less than $1 a word.
To earn big money you need to be a famous critic, like Roger Ebert. But to get to this level you have to make or break a video with your own imagination. That kind of influence isn’t achieved by just writing a few ideas in the blanks and talking. You need to understand the complexities of film production, such as the complexities of lighting, set decoration, editing and filming, and how it affects the entire film.
It also helps if you can tell people what the gaffer does. I stare at a skinny old man in a golf hat and old knee-length golf pants, whose job it is to greet guests cheerfully. I, rather obviously wrong. A gaffer is the head of the electrical department of a movie. Responsibilities include developing and executing the film’s screening process. It comes from the British word for an old man (I just got it wrong), especially one who was in charge of the lighting in a theater or in charge of the street lights. The “gafu” was a pole with a hook at the end that helped them do their jobs.
To set yourself on the path to becoming a film critic you need to do research and that doesn’t mean watching all the movies, even if you do that too. You should read books about filmmaking, as well as professional writing. It’s not all about the mind after all. You can hate a movie, but you have to explain why. Proper communication and care is required, because “It sucks” won’t cut it.
Communication and communication are essential in any opposition. Your review should give readers an idea of why you feel a certain way about a particular movie, and it should be clear enough for them to make an informed decision about whether or not to watch it.
One of the most important things about a career is accepting that you won’t like most of the movies you see. Kimmel constantly reminds himself of “Sturgeon’s Law”, which states that 90% of everything is nonsense. Black believes that young comedians who rely on toilet humor will go hand-in-hand with independent film festivals that showcase original ideas, from artists who haven’t sold to Hollywood, yet.
Another hidden problem with this dream job is that by putting your ideas out there, you are inviting yourself. And people can be mean. “I had to wonder if you didn’t feel comfortable in your Star Trek uniform.” – was one of the comments in response to Black’s review of the film, The Perfect Storm, which he did not like.
If you think your skin is thick enough to take such brutality, if you have the ability to confuse people with your persuasive voice, and if you like to stay in the dark, then maybe this is the job for you. If not, get your pen ready: there are some bad-ass movie critics out there just begging to be vilified.
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