Summary Of The Novella The Old Man And The Sea Monster Madness: Fighting and Facing the Unknown in Beowulf and Lord of the Flies

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Monster Madness: Fighting and Facing the Unknown in Beowulf and Lord of the Flies

The word “monsters” often brings to mind childhood fears of some evil creature lurking under your bed, waiting for your feet to dangle over the side to drag you away. It makes you remember the time when you were so afraid of the dark that you quickly left the room after turning off the lights to reduce the chances of the monster in your room stalking you. Like last night.

Monsters, of course, are important literary devices and symbols that have been used to represent the unknown, mysterious, and terrifying aspects of our world. Steeped in fantasy and myth, monster stories are often about a great fear, often death. This is the content of the Old English epic poem, Beowulf, which has more mythical monsters than an episode of HBO’s True Blood. You have dragons, sea monsters, descendants of Cain called Grendel, and his protective mother. JRR Tolkien, the author of the most interesting trilogy of The Lord of The Rings trilogy, was a major contributor to the analysis of the use of fantasy and horror in Beowulf, arguing in the famous essay “Beowulf: The Monsters and the Critics” that such things were work. art and important to the poem’s themes of death, courage, and even religion.

Grendel is the biggest surprise in the story, raiding King Hrothgar’s hall and eating his soldiers for breakfast. This is your worst childhood nightmare you’ve ever realized: monsters aren’t just real, they’re crawling into your bed and eating you like a bag of potato chips. The fact that these raids take place at night in the dark, desolate, and dangerous parts of Denmark/Sweden only adds to the fear King Hrothgar’s people are facing. No wonder everyone is together in the great mead hall.

Of course, that fear must be addressed. Enter Beowulf, a brave warrior who doesn’t worry about the possibility of death, monsters, or their tyrannical mother. In short, he successfully slayed them all—even though his final encounter with a dragon cost him his life as one hero who saved countless lives. Wow!

But some fears cannot be overcome. The fear of foreign creatures or things that invade the refuge can also be found in William Golding’s classic book Lord of the Flies, in which a group of British boys wash up on a deserted island and begin to form a group of people to survive – like the Dane and Geat tribes who is represented in Beowulf. The boys are afraid of an imagined monster somewhere on the island, giving it pig heads for fun, as if it’s a monster under the bed that can be satisfied by a bear thrown down to keep it from knocking you down. above. Talk about a childhood nightmare. Of course, childhood fears are reflected in some events that baffle the boys—like when a lifeless parachutist flies to the island.

However, the fear that haunts them isn’t a creature like Grendel that can be defeated – it’s something inside the boys. Simon, the only boy on the island who heard this fact, confirms his suspicions after talking to the severed pig’s head. Similar to Edgar Allen Poe’s The Raven in which a one-sided conversation with a noble bird causes the speaker to express his fear and sadness until he goes mad, Simon’s conversation with the pig’s head also reveals the inner demons and monsters within. work in the human psyche. There are no wolves to be slain, no battles to be fought, and no chance for Beowulf’s man to step up and save the day. Epic poetry focuses on the external and the familiar unknown, while Golding’s novel takes the unknown and follows the internal. And that monster is something you can’t fight by the light of night.

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